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Help! I Want To Be A
Freelance Poetry Writer

Specializing in poetry writing.

by Jennifer Brown Banks
All materials copyrighted


Poet -- “A person who has the gift of artistic sensitivity.” Webster



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When I was first approached to pen this piece, I was so excited I could hardly sleep! Although I have enjoyed a great amount of success (and pay) as a creative writer of different genres, poetry remains my “first love”.

It is indeed the freest form of literary expression, and in my opinion, has the most impact. Good poetry touches the heart and resonates the soul. Think about it. Some of the most revered and studied writers throughout history have been poets: Edgar Allan Poe, Elizabeth Barrett Browning, Gwendolyn Brooks, Ralph Waldo Emerson, Alice Walker, Langston Hughes, and Sonia Sanchez to name a few.

So you want to join this illustrious group?
The good news is that poetry is experiencing popularity like never before. It’s a featured form of entertainment virtually everywhere---from coffeehouses, to jazz clubs, to bookstores. And if you’re an unconventional thinker, an avid reader, and have a “way with words” you’ve already met the prerequisites!

The bad news is that the pay is moderate, you’ll often work graveyard shifts, and you can pretty much forget any appearances on Oprah, (unless you’re Maya Angelou).

Having said that, here’s how to hone your craft and increase your cash!
  • Liberate your muse!
    Effective poetry is free of censure and “political correctness”. It’s honest, raw, and revealing. Learn to free associate and go with the flow.

  • Be succinct but substantive.
    Poetry should arrest your readers, not hold them captive!

  • Take a class.
    There are an array of courses being offered through community colleges and on-line resources.

  • Participate in local poetry readings.
    One of the coolest things about being a poet is the lifestyle. Poetry readings (a.k.a. open mike) afford the opportunity to get immediate feedback on your work, and meet and network with some really cool, supportive people.

  • Study the greats.
    What moves you in others’ works? Do you like the eclectic style of E.E. Cummings? The gutsiness of Gwendolyn Brooks? Try your hand at some of their creative techniques.

  • Keep a journal.
    Some of my most popular pieces started out as journal entries where I was merely venting.

  • Turn your creativity to cash.
    In addition to the various poetry markets available, poetry is a great avenue for producing greeting card verse, song lyrics, and creative gifts. I have taken several of my short pieces, printed them up on attractive paper, framed them, and sold in bookstores and gift shops. And you can too!

  • Consider creating a chapbook of your best pieces.
    Another way to make money and gain exposure for your talent is to compile a book of 20 to 48 of your poems and self-publish. It gives credence and serious regard.

  • Don’t quit your day job!
    The pay is just enough to keep you motivated, but not enough to keep you afloat.

  • Purchase the Poets Market, published by Writers Digest.
    Here you’ll find poetry contests, organizations, markets, and insiders tips that will prove invaluable.

  • Keep at it!
    Immortality awaits…
In your quest to become a published poet, be careful not to fall victim to one of the various poetry scams being perpetrated. If in doubt about a publisher or contest, do your homework and research the company. Check out companies devoted to keeping writers safe, such as Preditors and Editors, and Whispers and Warnings.


About The Author:
Jennifer Brown Banks is founder and president of Poets United to Advance the Arts. Jennifer is also the author of Meet me in the Middle, Amidst Quiet Hours, and You Got a Tab With God. As a writing coach and teacher, she specializes in assisting poets with realizing their dream of publishing, and marketing their work. Email her at jenniferwriter@yahoo.com.

* This article is available for your publication, for a F-E-E.
This article may NOT be reprinted without monetary compensation and written permission from the author. For reprint rights or comments/questions about this article, please contact the author.

   

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